ABOUT GENI
GENI draws upon the ethnographic tradition of anthropology and the intersectional paradigm that understands people as culturally ascribed to diverse and sometimes contradictory identity processes, which coexist, overlap and intertwine. These processes, conditioning personal and collective experiences and narratives, are the source of inequalities, hierarchies and exclusions, but they are also the source of resilience, solidarity and transgressions.
From this perspective, identities are understood as processal, cultural and relational. It is through this vision that the inherent ambivalence of categories of identity is made visible: they offer meanings and stability, but they also limit and condition our field of experience. Likewise, gender is perceived as an open and plural category, given that bodily and identity expressions often overgrow the hegemonic binary logic. We are, then, facing multiple dimensions of diversity: identity processes, the interlocking of rules, axes of inequality, experiences, narratives and expressions.
Research areas
Kinship and Reproduction
This research line analyses the social and cultural construction of reproduction, of the reproductive body and its medicalization, and investigates (non-)reproductive politics and practices in different social and cultural contexts, the individualization of kinship relationships, gender relations and the formation of homoparental families. The completed projects – The individuation of kinship relationships. An anthropological study, and Women traveling to seek abortion care in Europe – and the current project – Travelling to seek abortion care: abortion travel and support networks for pregnant people seeking abortion care in Europe and Latin America– are part of this thematic axis.
Identity Processes and Social Control
Identity processes are the product of sociocultural dynamics that intertwine social control mechanisms and practices of resistance. How do devices of social exclusion work to define, label and categorise bodies, identities and expressions? What strategies do stigmatised people incorporate to assert their rights?
This ongoing tension between stigma and pride shapes the experiences of collectives that transgress conventional norms and social practices imposed by hegemonic structures. Analysing these swaying itineraries, on the one hand, in terms of infringement of rights and as asserted rights on the other is the what guides this research area. The project SupportVoC. Development of a Generic Support Services Model to enhance the Rights of Victims of Crime belongs to this research line.
Sexual and Gender Diversity
and LGTBI+ Studies
This research line focuses on the tenets and categories that conform our system of sexual and gender identity and the problematisation of normativities and exclusions that these entail. It seeks to contribute to knowledge on sexual, corporal and gender diversity through participative ethnography in order to imagine new discourses and representations that challenge the androcentric, heteronormative and cisnormative system, whilst incorporating knowledge and struggles of the LGTBI+ movements.
The project DIVERCITY: Preventing and combating homo- and transphobia in small and medium cities across Europe belongs to this line.
Body and Health
This research line aims to contribute to the knowledge on the cultural construction of the body and the influence of models and social representations of gender in bodily constructions and in the processes of health and illness, from a transnational perspective. It also analyses the relationship between the internalisation of gender roles which from the cultural imaginary justify the asymmetries of power and gender violence, with attitudes, behaviours and concessions that sustain their existence. Similarly, it addresses issues related to mental health, processes of inclusion/exclusion and functional diversity.
Beyond its analytical effort, this area also focuses on designing tools for evaluation and intervention.
Mobilities and Migrations in the
Contemporary World
This research line stems from the mobility-migration nexus, considering the potential of a combined approach to produce knowledge and critical debate about the diverse forms of contemporary mobilities and the role they play in the reorganisation of society and the labour markets. We understand mobilities as processes of transformation that encompass spatial, symbolic and temporal movements, fashioning personal and collective projects.
The line focuses on the impact that contemporary mobilities have on creating dynamics of precarization, inequality, segregation and privilege; as well as on the production of significant practices that will shape the future of work.
Territory, Decoloniality and Resistances
This research area focuses its analysis on the different forms of political and social resistance that peasant communities and indigenous peoples from the Global South articulate around the defence of their territories. From a decolonial feminist focus, and with collaborative ethnographic methodologies, the research work developed from this area aim to contribute to the visibilisation and understanding of political proceses, social movements and cultural dynamics deployed by people who claim for the safeguard of their territorial space against extractivism proceses, displacement and despoilment, consequences of modern and colonial logics.
Art, Aesthetics, and Identity
Artistic interdisciplinarity (multidisciplinarity, transdisciplinarity, interdisciplinarity, etc.) emphasises collaboration and exchange among diverse artistic languages, such as music, dance, visual arts, literature, film, performances, and so on, as a cohesive and holistic art project. Philosophical reflection into these artistic relations’ processes and results take us to the analysis of identity from a wide range of perspectives, such as the construction of processes that identify the work with its author, and the work with its public.
Furthermore, the “subject” (or “I”) construction and that of “us” (or “collective”) finds in the current total artwork (product of the transformation generated by the XIXth century notion of Gesamtkunstwerk) a model reproduced by commercial, alternative, and digital means and media, creating or deconstructing a gender identity within consumist society.
Coordinator: Magda Polo Pujadas
Research stays and visits
For more information on the possibility and conditions of research stays and visits, contact iedominguez@ub.edu
collaborating entities